Popakademie-Professor gibt Band der Schriftenreihe "Global Popular Music" heraus

Prof. Dr. David-Emil Wickström, Studiengangsmanager der Bachelor-Studiengänge Popmusikdesign und Weltmusik an der Popakademie Baden-Württemberg, ist Mitherausgeber beim kürzlich erschienenen Buch "Made in Germany - Studies in Popular Music". Das Buch ist im Rahmen der Reihe "Global Popular Music" im Routledge-Verlag erschienen.
„Wir sind sehr stolz darauf, dass dieser Band nicht nur bekannte Genres wie Neue Deutsche Welle, Krautrock und Power Metal aus Deutschland behandelt, sondern auch die Musik derer, die sonst weniger beleuchtet werden, wie türkischer Hip-Hop aus Deutschland oder die Musik der Menschen aus der ehemaligen Sowjetunion.“, so Prof. Dr. David-Emil Wickström. -> Pressemitteilung

Inhalt:
Introduction: Deutschland – Echt jetzt? German Popular Music’s Complicated Relationship with German Identity Oliver Seibt, Martin Ringsmut, and David-Emil Wickström
Interview: Rocking the Academy? Two Cold-War Careers and the Emergence of Popular Music Studies and Higher Popular Music Education in Germany. An Interview with Peter Wicke and Udo Dahmen David-Emil Wickström
Part I: Historical Spotlights
1: Transnational Networks and Intermedial Interfaces in German Popular Music, 1900-1939 Caroline Stahrenberg
2: Nazis and Quiet Sounds: Popular Music, Simulated Normality, and Cultural Niches in the Terror Regime, 1933-45 Jens Gerrit Papenburg
3: Conflicting Identities: The Meaning and Significance of Popular Music in the GDR Michael Rauhut
4: ‘Party on the Death Strip’ – Reflections on an Historical Turning Point Susanne Binas-Preisendörfer
Part II: Globally German
5: The Krauts Are Coming: Electronic Music and Rock in the 1970s Ulrich Adelt
6: German Metal Attack: Power Metal in and from Germany Jan-Peter Herbst
7: German Longings: A Dialogue on the Promises and Dangers of National Stereotypes Melanie Schiller and Jeroen de Kloet
Part III: Also "Made in Germany"
8: Peepl rock: Post-Soviet Popular Music in Germany David-Emil Wickström
9: Made in Almanya: The Birth of Turkish Rap Thomas Solomo
10: G.I. Blues and German Schlager: The Politics of Popular Music in Germany during the Cold War Bodo Mrozek
Part IV: Explicitly German
11: Neue Deutsche Welle: Tactical Affirmation as a Strategy of Subversion Barbara Hornberger
12: "One Day You Will Wish We’d Only Played Music": Some Remarks on Recent Developments of Germany’s RechtsRock Scene Thorsten Hindrichs
13: Hallo Blumenau, bom dia Brasil! German Music Beyond Germany Julio Mendiìvil
Part V: Reluctantly German
14: "Meine Lieder sind anders": Hildegard Knef and the Idea(l) of German Chanson Reneì Michaelsen
15: How Munich and Frankfurt Brought (Electronic) Dance Music to the Top of the International Charts with Eurodisco and Eurodance – and Why Germany Was Not Involved Heiko Wandler
16: Japonisme 2.0: German visual-kei Fans, Tokio Hotel, and the Popular Music Genre That Must Not Exist Oliver Seibt
Coda
17: The Germaican Connection - German Reggae Abroad Martin Ringsmut
Interview: Standing Up Against Discrimination and Exclusion: An Interview with Kutlu Yurtseven (Microphone Mafia) Monika E. Schoop
Selected Bibliography